Monday, March 18, 2019

We have T-Shirts!

I managed to get some t-shirts made. After seeing the poster made by an actual graphic artist, I felt a bit intimidated but forged on anyway. We wanted to honor St. Aretha of Franklin this year so I took an iconic photo of her and Jell-O-ized it.

Being lazy, I only wanted to make two screens and print two colors, but it just wasn't enough, so I've ended up taking my Sharpies and coloring in her earrings. I do like it better that way.

I also spent a few hours dusting off a lot of Jell-O pieces for the workshop and show. I like taking out the Jell-O Art Museum for a spin once a year, even though it isn't really the whole thing. I have an attic full of odd pieces that I don't think I'll bring out this year. For one thing, one carload is plenty. I don't want to make too many trips across town, risking things falling apart and getting damaged. Plus dusting and repairing them takes a lot of time I'd rather spend gardening on these beautiful spring days we are having right now.

But shirts had to be made, so here they are. I held back from filling up the open space with more information or drawings. Let it be inferred that music began with St. Aretha. No reason to stick too closely with the theme, anyway.

Original print, without the hand-coloring:
Improved version

Tuesday, March 12, 2019

Our Poster

Check out our poster! Artist Brain Hahn of iconographicdesign.com. Truly wonderful!

Sunday, March 10, 2019

Better News

Yay! There is now a script and some new energy, so I guess life and Jell-O Art will go on. I'm trying to focus on the t-shirts, and then the Workshop, figuring out my outfits and props I'll need to demonstrate techniques.

I had to take myself in hand and realize I was losing perspective by trying to do too many big things at once. It was kind of paralyzing. I even went to bed one night at 9:00. That seemed to help.

Plus a kind soul (or three) offered some collaboration and things rapidly got back on track.

The hard part was I discovered a huge number of Saturday Market records that were still hiding in their storage area but are now here tempting me. I've kept the boxes closed as hard as I can. That is going to be a much longer, more complicated project than I had been admitting.

So Jell-O Art Show moved to the top of the agenda, and here we go!
My first appearance as a performer 2013

Tacky Food, 20th show, so 2008

One of the best shirts

Wednesday, March 6, 2019

Dang it all

One year we did this song "You Don't Want to Know" which was of course about what Jell-O is really all about: offal. It is made from cow hides and hooves, and etcetera, so we like to just pretend that is not true. It was a really fun song, a Led Zepplin parody, and here is a photo of me singing it:
That was 2015.

Then last summer I forced my family to watch our last show video out of a deep need to be patted on the head by them, and as I looked at it from an outsider's view, they commented that it looked like a lot more fun for us than it was for anyone watching. Which stung, but was essentially true. The reason it is fun for our audience and the public is just because they decide it is, and enjoy catching our enthusiasm and delight and willingness to just get up in public and be silly. None of us really want to know why it is fun, we just want it to be fun.

It's serious business to do that, of course, and takes a lot of effort and preparation, but ultimately it is a lot of fun in general and sometimes fun in specifics. Today it isn't.

We have very little time left until the show, and I've got nothing. No Jell-O, no plans to make any, and no script. I did write one, giving up a precious Saturday last week in the snowy isolation to write it, but it died of its own weight last night. It was just too complex and nobody really cared about the Hero's Journey and our political and environmental future and the need to advance a positive one. That is work for another day, not March 30th, if the Angels group is correct. I'm not really upset about losing that script, as it wasn't really workable at all, just a piece of writing I did out of the desperate need for a framework. Editing it wasn't going to work as I had hoped.

Of course I feel that things are far too critical to not address our future, but it is more our job to give people a break from that for 20 minutes in a 3-hour event, than it is to give them any tools to craft it. We just have the same damn tools, music, art, and silliness. We end up doing the same show every year, some version of Jell-O Art is the only thing that matters. Sometimes it saves the world, sometimes it just occupies a gallery.

So I have no real reason to be upset today, except that so many of the Angels have found reasons to drop out of this non-show, including some of our best singers, and now we have no script and people don't even really love the songs we chose, which have no lyrics, most of them. And it's my job to put something together, as soon as possible, and this time it has to be right because there is just no time left. And of course I am totally depleted and discouraged.

So I write. Since this is supposed to be a promotional blog for Jell-O Art, I figure if I expose my deep anxiety and despair, it will just come off as drama and add to the mystique and eventual delight when my personal hero's journey completes itself with some denoument onstage. As if! I want to quit too!

What if there were no performance, or I just went back to not being in it? This will only be my 7th year of being in it. Other people used to write the scripts and do the slogging. Are they not doing it because I came along? Is all of this my fault as well as my responsibility? It is not easy being Queen.

I'm eating lunch as I write this because stuffing my face is about my only joy. I have been getting zero exercise this winter and making zero income (okay, I made $97.50 in the first two months, not counting my pitiful amount of social security) as I am immersed in this big archiving project for Saturday Market. I am passionate about doing it and am making progress (I'm in the 90s now) but I just sit and read every day and night and I am severely out of shape. I don't even have time to get outside except to hang my laundry out in the rare sunlight when we get it, or walk to a meeting. I still have meetings and minutes to type for them. I hate my life in a lot of ways right now. Mostly because it is not healthy to eat mostly bread and canned soup and get no exercise. That is a proven way to make yourself sad and have aching joints and a fuzzy head. But regarding Market, now I know too much and I have assigned myself the impossible task of interpreting the history in a useful and positive way. I should find myself a network of historical writers who have faced these issues of how to describe the warts without damaging the host. It seems a tricky task and at this moment I am definitely procrastinating.

I also watch meetings on  livestream, OCF Board meetings and City Council meetings. OCF just imploded and pretty much burned to the managerial ground, in case you didn't know. I'll try not to say much about it although I'd like to do a full-on rant. If no one affords either the managers or the Board members any respect, there is no center to hold there. The members can sure mess it up, but the people who are doing the actual jobs of governing and managing need to be granted some damn authority and trust! It is a two-way street, trust. Right now I'd like to walk away from that, too.

But I won't. There's an important lesson in there for me to learn about how to be a longterm member of a membership group as your role shifts as it must. There's too much invested to walk away, there's no certainty whatsoever that you will play a future role, and although you have the perspective of seeing the cycles and pitfalls as they dependably repeat, you can't really prevent them from doing that or add much to the solutions when they do. What worked then is probably not going to work this time (though it might!) and you yourself might be a bigger part of the problem than the solution, which is why the young ones always want the old heads to go away. Just retire and let us make some new mistakes! Well, if I could I might. There really isn't a retirement choice built into my life. About my only power is keeping my mouth shut and obviously that is not a skill I possess.

I do have some work to do, that might be fun, making the t-shirts for the Jell-O Art Show. I'm planning to use an image of St. Aretha of Franklin, whose photos online are very jellogenic. You could do almost any of them with a Jell-O mold hairdo or outfit. I don't know what I'll do to her image, yet, but it got me a little excited to go look at her photos and listen to a few of her songs. We're going to do Chain of Fools in the show, just so you can share the anticipation. It's about as political as we will get I suppose. The first photo would be easy but she would look like it was just her head on top of a plate. The second one is pretty Jell-O-rific
but I wouldn't be able to use the arms anyway, although I might try. It's a fun distraction.

So, as you can now see, I am well on the way to putting aside my despair and disappointment and moving into a more adaptive phase. It's what all the true Jell-O Artists do. I am still not going to make any Jell-O though, at least not today.

Have I told you I will be doing a workshop? It will be on March 23rd, at MKAC, just a little session of Ask the Queen. Not the Queen of Soul, the Queen of Jell-O Art. I plan to wing it mostly, as I have no real time to plan anything except a costume. I'm committed to that, so whatever happens with this current drama, that's on the table. See you there!

Thursday, February 14, 2019

Promises, promises...



It's painful that I haven't posted in a year and never reviewed last year's show, but here's a video and the event page from Facebook for you. We are definitely working hard on jelling and this year will be even better than last if such a thing is even possible. If you can't go to FB, the video should be on YouTube along with some other vintage Radar Angels video that will be sure to waste a few hours of your precious time, but if you don't laugh I would be amazed. Forgive my embarrasment, but looking ridiculous online is something I am not all the way used to, so will keep practicing. I hear it gets easier every time, and this will only be my 7th performance since being crowned in 2012, so I can look forward to still growing into my role for at least another thirty years.

One new thing I have committed to is an Ask the Queen session at MKAC on the Saturday before the show, from probably 2-4 pm. I'll bring samples of my work, some pieces in progress, and show people how I do it, and will have pounds of gelatin for sale for $10 if you need some. I think it will certainly be free, and the goal is to connect the community, plus get people excited about the things they might do in that last week of March. The show is March 30th, and the "workshop" will be March 23rd. RadarActive will help me, and we'll talk about both jiggly Jell-O and other kinds, and will no doubt reveal all of our secrets and then some. Maybe you'll find out why we use Jell-O names on our pieces instead of our real ones. Failure is an option! Don't wait until then to start playing, but if you get Knox-blocked, maybe we can help.

Our theme this year is Jellojenesis, which is kind of meant to be about the beginning of all things art in Eugene. We thought we'd start with Maude Kerns herself, to whom we are so indebted for modelling how to be a woman in art even though it was way harder back when she and Gertrude Bass Warner were doing it. We want to show how the art community in Eugene springs from the same roots and is so intertwined and codependent (in a good way...) that most of us couldn't extricate ourselves if we tried. Jell-O Art Show, Saturday Market, Art in the Vineyard, Oregon Country Fair, and Holiday Market are only the biggest of the art things happening, and if you've been paying attention, you see that the city Cultural Services programs and the new-ish Art City Group are doing amazing things and really making Eugene sing and dance on the regular. Eugene Celebration is kind of re-created with Sunday Streets and the EUGFUN Parade, and of course we never ceased electing Slug Queens and we always have the raining Slug Queen give a benediction to our Jell-O Art Show. This year's Queen, Queen Incognita (probably has more qualifiers in her name, I expect) will hopefully give us some hopeful hopefulness in her specialty area, climate change, which is also number one on my list of things to do as much about as possible right now. (Side note, you can go see an interview with me here, that doesn't even mention Jell-O, but is still something to waste a little time with in that good way.)

So, I have to go now, as I got a grant from the Lane County History Museum to support my work of archiving 50 years of the Saturday Market history, and my living room will be filled with that until I get a handle on it, and there is quite literally NO ROOM FOR JELL-O! I have handed off the set-making this year to an eminently qualified younger Angel, Ren, who will delight us all with his brilliant (pun-intended) integration of gelatin, light and space, and make us look good on stage, but I still have lots of Jell-O work to do like making sense of our nascent script and practicing some songs and so on. But I will try to post more, though in the meantime, get a friend to let you look at their FB if you are not on it, because Michael Hall is posting tons of Radar Angel photos on this page and there's a lot of gloriosity on there. You might want to think about a costume for the show this year, too. I have to wear quite a few myself and it's one of my favorite parts.

I will leave you with just this one photo, in honor of someone I've been thinking about as I find him repeatedly in the archives. He always dressed up and attended the Jell-O Art Show, as we launch the local Art year around April Fools Day, and he connected all of our groups in a very powerful way and we miss him. Gil Harrison, thank you for all that you have done for us. He's quite subdued here compared to Sue and Judy, but still, always had such style.

Saturday, March 10, 2018

Inspiration

Have you started planning your Jell-O for the show? Here are some photos from last year to get you thinking about the possibilities. As you can see, many people use props and the regular Jell-O brand to express their creative idea. We don't have rules against your oddest of ideas; we don't have rules! You can make what you want. We don't judge. So there is no "Best of Show" although lots of people have their favorite pieces and artists. We have artists of all ages.

I try to give each artist some attention to thank them for participating and encourage them to be proud of their accomplishment. For many, as it was for me, this will be your first chance to put art on a pedestal in a gallery and really call it Art! It's good to let yourself be proud and at the same time embrace the silly, non-competitive, non-evaluative structure of what we do. If you say it is art, it is.


No degrees or credentials are needed. Lots of us use "Jell-O names" just to add to the silliness. We have certainly had many famous artists participate, as well as local celebrities. One man used to bring his exhibits all the way down from Seattle although he was from the edible Jell-O art universe (there is one) and he was surprised that we didn't have that requirement, or winners. He brought five pieces the first year, I think, all wonderful, precisely engineered works of food art, and I think he was disappointed that he didn't win anything. My Queenly view of it is that if we have no winners, we have no losers.

Everyone has had a chance to feel like a loser, and no one needs more of it. I don't like hierarchies and judgements for self-expression. It takes courage to put yourself out there, even in a silly way, so I want that to be the mark of the artist, that simple courage to step up and display your emotional and artistic pursuits to the public. I'd like it if all of us were unafraid to do that.


I make and sell crafts and have for decades, so I have plenty of experience with rejection as well as acceptance. It's still thrilling when someone chooses my products over all the others available, and I won't deny that my ego thrives on that "winning" represented in my sales total. The regular marketplace is competitive but we can work against that by sharing information, being welcoming to other artists, especially if they make what we make. The less we try to dominate the more we all can succeed. You can see the end result of competition in our economy as companies get bigger and bigger, swallow diversity of offerings, and smaller entities are driven from the marketplace for lack of opportunity. My life is not going to go that way, so I work against it as hard as I can.

I never studied art formally, either. I was devastated by the interference of my first grade art teacher, and hardly tried again. My outlets became Hallowe'en costumes, singing, cooking, Girl Scout badges, and other safe spaces for little girls in the 1950s and 60s. When Jell-O Art came along in 1988, I was hesitant, but thrilled with the results. Through it, I found a creative process, and an awareness of what making art was all about, and although it took decades, eventually I was able to embrace the idea that I could be a Real Artist just by doing Real Art. I don't find the art world closed to me, except in the spaces where judgement, credentials, and hierarchies rule (like almost all of it.) So holding the Jell-O Art Show every year and reinforcing that open creative space has been my vital force that keeps me going.



Each one of these pieces was made by someone who went through their own, personal creative process, and had their own emotions about it, which I hope included joy and laughter and a few of those moments when intuition takes over and the internal critic stays silent. That would be ideal. Some people put in incredible amounts of time and effort; other throw it together the morning of the show or the night before. Anything goes! And if you really don't want to make pedestal art, there is always the Tacky Food Buffet! Just make sure it will be safe to eat. Jell-O treats are always popular at the table, and we've seen some spectacular ones. Sometimes they are even very tasty.

Generally the show is lighthearted and fun for all, though of course we are sometimes disappointed when our results don't match our imaginations. Don't give in to your critic. Bring your piece no matter what. We can all learn from your efforts, and the happy accidents that creative chaos can spawn. Just make some Jell-O tonight. Make some magic!

Saturday, March 3, 2018

Saturdays in Winter

I feel pretty guilty about how much I love Saturdays at home in the offseason from Market. Staying in bed past 5:00 am, only needing one cup of coffee, putting on sweatpants instead of rain pants...but April will come. At least this year I don't have to miss Opening Day of the Market for the Jell-O Art Show. That's quite a valuable gift to me.

But that means our show is on March 31st instead of April Fool's Day, as it was last year. That juxtaposition added so much of the joy dimension to our planning. Getting to emphasize our foolishness was a lot of fun, so we could pull out all of the stops and really get down into our silly. It made things so easy. This year, a whole different story.

Being on the tail end of Spring Break means traveling vacationers, including some of our troupe, so we are smaller in number. Which, as you may have noticed when we fill the stage, is not necessarily a bad thing. We usually have way too many of us, and it's always better to have a small number of really committed players than a large number who can't make it to practice and unintentionally throw wrenches in the works. Working from consensus as we do, building that consensus is a task.

So today I am procrastinating re-writing the script. It was jelling, we were getting somewhere, and then forces beyond our control intervened and some parts of it are not going to jiggle properly. I know I will find a way through it, and it's simpler and will make our lives easier, but procrastination is my mode and I'm sticking to it. So today I procrastinate the script, telling myself it is working out in my creative brain even if I am not aware of it. I will definitely get down to the revisions, and it won't be hard, but these Saturdays in the offseason, well, bad habits tempt me.

Like what if I drank a beer or two like I used to in my younger days? When I was building my house I would fiddle around re-arranging my dryrun tile setups, make sketches of the cabinets I didn't really know how to build, or work some more on the tearout of the lath and plaster or the leveling of the ceiling, or the moving around of all of the piles of stuff and work equipment in the way. I still had to have my shop set up in part of the house as I remodeled it. I've been thinking a lot about that 12-year project (no, it isn't really finished, but you know that if you have ever remodeled anything.) The offseason is supposed to be the time when I work on my writing projects (I have two books going on that house remodel) as well as my Jell-O Art. But in the same way as I did last year, I got out the writing project, spread it around the living room, and then got out the Jell-O Art and spread it all out over top of the research. And then the taxes...and then the Jell-O T-shirt design...and of course the things I need to do to get ready for April. Forget making money. I'm living on savings as I like to do all winter.

So this week and weekend I was working on the t-shirt design, fairly leisurely, as it can be more last-minute (and is often better for that), but realized I had to pitch in on the poster. We don't really have a graphic artist in our crew, and we've used up most of the goodwill of the people we know who can do such things for us for the reward of a t-shirt and seeing their work around town for a few weeks. Initially I thought it would be easy to take the shirt image I had in my mind and use it for both projects. It was a good plan, but my technological talents are rather primitive. I kind of know how to use Paint but I am just not tooled up to get the image in printable shape. Spending the time to learn that stuff isn't appealing, but since I already use old-school techniques to do the shirts, I do kind of enjoy the old techniques, cutting the rubyliths, pasting up the components I copy out of books (or the internet) and making collage-style art with tape and scissors.

So I got myself into a weekend project. I'm making a good old-fashioned handmade poster. We'll use a color copier for the final versions, but for the art, I went to my files, sorted through a thousand images in magazines and books, pulled out my Format press-on lettering sheets, which are still mostly useable, and spread that all out on top of the taxes. Because fuck taxes anyway, excuse me very much. I'd pay them if they were actually going to be used to help the common good. I'll pay them. But not today.

Today I will cut and move things around, paper things, and it's pretty fun. I worked on it last night and I'll work on it tonight and tomorrow while I watch the Oscars. You don't want to live in my lving room. It's too cold out to want to plant peas and although the Jell-O is calling me, I have 32 roses already so I can easily make more and there is plenty of time. The poster needs to happen so we can get on with the promotion so we can entice some people to put our show on their calendars. Maude Kerns needs us. They need me, to be specific, to do my Queenly duties and get the fundraiser raising funds.

Sure, we could hire an artist, but we are DIY to the core. I'd much rather pitch in energy and time than money. I might complain some because I have too much to do, but I really think this poster project will be fun. It will look amateur, like all of my work always does to me, because I will probably never get over my self-taught lack of real credentials, even though obviously I am a real craft professional by now. It might look refreshingly amateur. Who needs another clever use of Photoshop and slick graphics that doesn't have a human element in it? My poster will definitely stand out, no question.

And thanks to Anne for mentioning interference powder. I had no idea such a thing existed, but now I get to play with it. When I get tired of cutting up paper, I'll make Jell-O. Yay! It's Saturday and I don't have to go anywhere!